A Letter from Yours Truly: The Year Rep’s Goodbye

Hello healthy Mushus!

Here are some words from your 2A Year Rep Zhenhao Li for this end of academic year. Even though for the Year Reps, there is no official date for the end of mandate, this is probably the last official post from me as a Year Rep of LH 2022.

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My Addiction to True Crime

“I came across an article called, “Why Do Women Love True Crime?” in the New York Times which talks about the link between women being the major victims in these crimes but also being the largest community entertained by them.”
By Caroline Bernet

On a train from Paris back to Le Havre. I had just come from a wonderful weekend with a friend and was ready to sit for a peaceful train ride and listen to some podcasts. Of course, not just any podcasts, but true crime podcasts. By the end of the train ride I had probably listened to the gruesome details of about four to five separate murders as the train pulled in at 10:30pm. As soon as the train stopped, I practically ran home, calling my dad to make sure that if something happened to me on this ten-minute walk, he could alert the authorities of my whereabouts. I was completely petrified until I made it up the stairs to my flat and locked the door behind me.

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“Make Taiwan Great Again”

After Trump moved out of the White House and the MAGA slogan began to lose its media coverage in the US, a senior media personality in Taiwan, Jaw Shaw-kong, adapted the slogan into “Make Taiwan Great Again” to declare his return to Taiwanese politics by rejoining the Kuomintang (KMT), a possible move for the both the presidency of the party and of Taiwan.

After Trump moved out of the White House and the MAGA slogan began to lose its media coverage in the US, a senior media personality in Taiwan, Jaw Shaw-kong, adapted the slogan into “Make Taiwan Great Again” to declare his return to Taiwanese politics by rejoining the Kuomintang (KMT), a possible move for the both the presidency of the party and of Taiwan.

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*WINNER* Eyes on the (Eternal) City

Rome without its tourists is like an instrument without its musician: it does not stop being beautiful but it suffers because of its solitude. Before this pandemic, it was not usual to the Eternal City to face embarrassment, feeling inadequate before its empty avenues. The quietness is deafening. Each rione (central neighbourhoods in Rome), drained of the astonished foreign eyes is left to its uncaring inhabitants, too occupied with thoughts to pay attention to the Bernini’s sculpture or the ancient Roman obelisk to their side.

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